September 20, 2016 at 11:00AM •
1 hour 36 minutes
This week, we begin with a discussion around how we actually discuss art, including some of the collective meaning of the terms we use. Also, can concepts like “commentary” and “criticism” be as effective if they are non-verbal? For example, is a jazz improvisation an appropriate response to a particular work of art? Also, we spend some time talking about gear, from Hackintoshes, to the slew of new cameras announced (or “pre-announced”) at this year’s Photokina. Alexey Titarenko is our Photographer of the Week.
September 13, 2016 at 11:30AM •
1 hour 30 minutes
This week, we’re talking about getting work out the door, and some of the difficulties that can arise around trying to figure out how and why to make the changes necessary to do it. Sometimes the best thing you can do is to take a step back from the thinking and the strategizing and just make. Also, we discuss the Documerica project and how differently a similar project might look today. Jacob Riis is our Photographer of the Week.
September 5, 2016 at 7:00PM •
1 hour 38 minutes
This week, we’re doing another Q&A show and, as usual, you all sent in some terrific questions that we had a great time going through. Topics include: how often to update your website, whether or not to shoot DNG, how to get more engaging street shots, whether or not to print in-house and a bunch more. Marc Riboud is our Photographer of the Week.
August 30, 2016 at 10:45AM •
1 hour 24 minutes
This week, a discussion around photojournalism inspired by the Netflix series Conflict that raises a few questions for us to chew on. Would you ever put yourself in harm’s way for a photograph? If you already do, why? Is it for the photograph or the thrill of the shoot? Or some combination of both? Is a photograph more valuable than the life that is potentially lost capturing it? Also, does taking photos at important or milestone events enhance or take away from your ability to enjoy/remember said event? Plus, a teaser for next week in the show notes: what do you see when you look at art? Richard Tuschman is our Photographer of the Week.
August 23, 2016 at 9:30AM •
1 hour 13 minutes
This week, we discuss the magic of things and the legacy of genius. Is Winogrand’s camera, Clapton’s Stratocaster, Picasso’s brush or Hemingway’s typewriter somehow imbued with greatness? In choosing the same tools as our heroes, do we secretly (or not so secretly) hope that a bit of their magic will rub off on us? Photojournalist Nicole Tung is our Photographer of the Week.
August 16, 2016 at 11:00AM •
1 hour 31 minutes
This week, a discussion around printing (spoiler: be sure to use the correct profiles) leads to the start of a larger discussion around the perceived value of signatures. Do you sign your prints? If so, why? If you don’t, why not? Also, looking for the one camera that does everything—even the things you don’t currently need it to do—is a fool’s errand. Better to look for the right tool for the job at hand and let the future sort itself out. Brad Goldpaint is our Photographer of the Week.
August 9, 2016 at 12:00PM •
1 hour 24 minutes
This week, a discussion around the work and process of iconic Japanese photographer Daido Moriyama — specifically around the value of revisiting a place in order to refine your vision of it and how details often emerge through repetition. Also, how much time should you devote to your website? What are some “must have” features? Plus, do six-year-olds need to know about Daguerre? Eve Arnold is our Photographer of the Week.
August 2, 2016 at 1:15PM •
1 hour 29 minutes
This week, how do you know if you’re close to the target if the target hasn’t been clearly defined? We discuss the difficulty in embarking on a journey (creative or otherwise) without at least a direction. How to you calibrate your creative compass when there is no true North? Also, next week we’re talking about the work and process of Daido Moriyama, using a video in this week’s show notes as a reference. Plus, who was the nineteenth century’s most photographed individual? The answer may surprise you. Klaus Enrique is our Photographer of the Week.
July 26, 2016 at 10:00AM •
1 hour 30 minutes
This week, a couple books about Saul Leiter show that great photography is not always about per pixel sharpness and bright, saturate color. The problem is, when do you know when it is and when it isn’t? Can a photographic style be plotted like a course on a map, or does it only happen in the rear view mirror? Also, video seems to be the “it” factor for much of the photography industry, but is it worth it, when you consider the gear, the time and the ability required to really do it well? Arthur Tress is our Photographer of the Week.
July 19, 2016 at 12:00PM •
1 hour 39 minutes
This week, we talk about getting out of your own way and recognize that giving up control doesn't mean giving up the wheel. Also, we discuss a fascinating article on Chuck Close and what we sometimes leave on the studio floor in the name of art. Plus, photojournalist Ed Kashi is our Photographer of the Week.